Friday, October 28, 2011
My Lady Capulet is independent and a bit headstrong; definitely not a woman subservient to her husband. Though she is a product of and adheres to the cultural mores of the Victorian era (in which this adaptation is set), she has a mind of her own as well as a sense of humor. I love that I was cast in this role for my reemergence on the stage because it is a perfect one for me.
Tonight is our first preview performance. This week has been a bit rough technically, slogging through the orchestration of light and sound cues and set changes. The previews will be essentially dress rehearsals with an audience. Yet in all the years I have been doing theatre, productions amazingly come together in the end, no matter how chaotic or stressful tech week may be.
Lance Hewett, my director, is a joy to work with. He has given the actors enormous creative freedom to experiment with acting choices and to make suggestions; I don’t think I’ve heard him give one line reading, which is quite refreshing. Of course, if he thinks something does not work or isn’t true to the character, he lets us know.
The cast is quite talented, especially for one with so many young actors, most of whom are in their early to mid twenties. I get a kick out of listening to them talk to each other, and yes, I’m one of the older members of the cast, but that’s okay. The generation gap isn’t too wide, and they are all funny, smart, lovely people. Chelsea, who plays Juliet, is adorable. It’s easy to portray her mother, and perhaps my interpretation of Lady Capulet is too loving and attentive to the teenage Juliet, yet that act of maternal betrayal remains.